Dancing With The Skeletons
Oct. 31st, 2010 02:40 pmDear Mr. Camille Saint-Saëns,
I appreciate the lengths to which you go in reinforcing the "Death calls at Halloween" theme for your Danse Macabre tone poem, but do you not think that deliberately depriving your First Horn of breath for sixteen bars is perhaps a little extreme? After all, your horn player is also human, and requires oxygen for important bodily functions, such as staying conscious for long enough to play your composition to completion. Or perhaps it is your goal to have said horn keel over dead as a result of anoxia? I suppose it might be terribly apt - although you should bear in mind that, contrary to the French superstition you based your piece upon, your horn player will not be rising from the dead to dance to the tune of your violins.
Sincerely,
1st Horn (deceased)
PS: I might have survived the ordeal too, had it not been for the fact that I was playing host to a large Halloween party of bacteria that was having far too good a time in my respiratory tract to even consider the possibility of leaving.
I appreciate the lengths to which you go in reinforcing the "Death calls at Halloween" theme for your Danse Macabre tone poem, but do you not think that deliberately depriving your First Horn of breath for sixteen bars is perhaps a little extreme? After all, your horn player is also human, and requires oxygen for important bodily functions, such as staying conscious for long enough to play your composition to completion. Or perhaps it is your goal to have said horn keel over dead as a result of anoxia? I suppose it might be terribly apt - although you should bear in mind that, contrary to the French superstition you based your piece upon, your horn player will not be rising from the dead to dance to the tune of your violins.
Sincerely,
1st Horn (deceased)
PS: I might have survived the ordeal too, had it not been for the fact that I was playing host to a large Halloween party of bacteria that was having far too good a time in my respiratory tract to even consider the possibility of leaving.